Article written by Aaron Betsky
The new Student Center at the Illinois Institute of Technology marks the transition from the era of “God is in the detail” to that of “No money, no details”. From Ludwig Mies van der Rohe’s fetishism about the appearance of construction and its absolute relationship to the modulation of spatial relations we have arrived at Rem Koolhaas’ desire to make buildings that are appropriate and critical condensers of existing technologies and social relations into spaces so complex that they cannot be defined in static terms and planes that graphically represent those enabling conditions.
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